There's something almost poetic about Nicolas Ghesquière choosing the Frick Collection for this one. A Gilded Age mansion filled with Rembrandts and Vermeers , and then, walking through it, the unmistakable scrawl of Keith Haring on a Louis Vuitton trunk from 1984. That trunk is where it all started. Haring bought it, took a marker to it, and left his signature crawling baby and dancing figures all over the canvas. Louis Vuitton acquired it years later, quietly filed it in t
%20(1).png)
